Collection: NEW in

OpenLab Graphics — Official Design Drop APRIL DROP · OBJECT : KOREAN ARCHIVE This project explores foundational Korean material and spiritual motifs as contemporary abstraction. Traditional forms are reduced to volume, light, and symbol — reframed for modern interiors through stillness and intention.   달항아리 · 자개 | DAL HANG-ARI · JAGAE Moon Jar · Mother of Pearl [dahl hang-ah-ree · jah-gae] Abundance · Wholeness · Fortune · Protection A vessel that holds nothing — and everything. Rendered in the light of jagae — reinterpreted as a field of eternal presence for the wall. Historical Function The Moon Jar was crafted in Joseon-era Korea as an offering vessel — its imperfect roundness believed to invite warmth, abundance, and good fortune into the home. No two were made alike. 자개 | Jagae — Mother of Pearl For centuries, jagae has adorned the most sacred objects in Korean culture — royal furniture, ceremonial vessels, objects passed between generations. Its iridescent surface was believed to carry three powers: to attract wealth and prosperity, to preserve what matters across time, and to repel negative energy from the home. It was never decorative. It was intentional. What It Brings A full round form. A surface built from light. In Korean tradition, this combination is an invitation — for abundance, for protection, for something good to arrive and stay. Spatial Energy The jar asks nothing of the room. It simply holds space — the way light does, the way silence does. A presence that settles rather than demands.   About the Artist Designed by Seung Lee — one of OpenLab's featured artists working at the intersection of Korean and Oriental tradition and the modern American home. Seung's work begins with objects that have been carried across centuries — vessels, symbols, forms. He strips them of nostalgia and rebuilds them as something you'd want on your wall today. Not a museum piece. Not a souvenir. A reinterpretation that belongs exactly where it lands.  

OpenLab Graphics — Official Design Drop APRIL DROP · OBJECT : KOREAN ARCHIVE This project explores foundational Korean material and spiritual motifs as contemporary abstraction. Traditional forms are reduced to volume, light, and symbol — reframed for modern interiors through stillness and intention.   달항아리 · 자개 | DAL HANG-ARI · JAGAE Moon Jar · Mother of Pearl [dahl hang-ah-ree · jah-gae] Abundance · Wholeness · Fortune · Protection A vessel that holds nothing — and everything. Rendered in the light of jagae — reinterpreted as a field of eternal presence for the wall. Historical Function The Moon Jar was crafted in Joseon-era Korea as an offering vessel — its imperfect roundness believed to invite warmth, abundance, and good fortune into the home. No two were made alike. 자개 | Jagae — Mother of Pearl For centuries, jagae has adorned the most sacred objects in Korean culture — royal furniture, ceremonial vessels, objects passed between generations. Its iridescent surface was believed to carry three powers: to attract wealth and prosperity, to preserve what matters across time, and to repel negative energy from the home. It was never decorative. It was intentional. What It Brings A full round form. A surface built from light. In Korean tradition, this combination is an invitation — for abundance, for protection, for something good to arrive and stay. Spatial Energy The jar asks nothing of the room. It simply holds space — the way light does, the way silence does. A presence that settles rather than demands.   About the Artist Designed by Seung Lee — one of OpenLab's featured artists working at the intersection of Korean and Oriental tradition and the modern American home. Seung's work begins with objects that have been carried across centuries — vessels, symbols, forms. He strips them of nostalgia and rebuilds them as something you'd want on your wall today. Not a museum piece. Not a souvenir. A reinterpretation that belongs exactly where it lands.  

OpenLab Graphics — Official Design Drop APRIL DROP · OBJECT : KOREAN ARCHIVE This project explores foundational Korean material and spiritual motifs as contemporary abstraction. Traditional forms are reduced to volume, light, and symbol — reframed for modern interiors through stillness and intention.   달항아리 · 자개 | DAL HANG-ARI · JAGAE Moon Jar · Mother of Pearl [dahl hang-ah-ree · jah-gae] Abundance · Wholeness · Fortune · Protection A vessel that holds nothing — and everything. Rendered in the light of jagae — reinterpreted as a field of eternal presence for the wall. Historical Function The Moon Jar was crafted in Joseon-era Korea as an offering vessel — its imperfect roundness believed to invite warmth, abundance, and good fortune into the home. No two were made alike. 자개 | Jagae — Mother of Pearl For centuries, jagae has adorned the most sacred objects in Korean culture — royal furniture, ceremonial vessels, objects passed between generations. Its iridescent surface was believed to carry three powers: to attract wealth and prosperity, to preserve what matters across time, and to repel negative energy from the home. It was never decorative. It was intentional. What It Brings A full round form. A surface built from light. In Korean tradition, this combination is an invitation — for abundance, for protection, for something good to arrive and stay. Spatial Energy The jar asks nothing of the room. It simply holds space — the way light does, the way silence does. A presence that settles rather than demands.   About the Artist Designed by Seung Lee — one of OpenLab's featured artists working at the intersection of Korean and Oriental tradition and the modern American home. Seung's work begins with objects that have been carried across centuries — vessels, symbols, forms. He strips them of nostalgia and rebuilds them as something you'd want on your wall today. Not a museum piece. Not a souvenir. A reinterpretation that belongs exactly where it lands.  

OpenLab Graphics — Official Design Drop APRIL DROP · OBJECT : KOREAN ARCHIVE This project explores foundational Korean material and spiritual motifs as contemporary abstraction. Traditional forms are reduced to volume, light, and symbol — reframed for modern interiors through stillness and intention.   달항아리 · 자개 | DAL HANG-ARI · JAGAE Moon Jar · Mother of Pearl [dahl hang-ah-ree · jah-gae] Abundance · Wholeness · Fortune · Protection A vessel that holds nothing — and everything. Rendered in the light of jagae — reinterpreted as a field of eternal presence for the wall. Historical Function The Moon Jar was crafted in Joseon-era Korea as an offering vessel — its imperfect roundness believed to invite warmth, abundance, and good fortune into the home. No two were made alike. 자개 | Jagae — Mother of Pearl For centuries, jagae has adorned the most sacred objects in Korean culture — royal furniture, ceremonial vessels, objects passed between generations. Its iridescent surface was believed to carry three powers: to attract wealth and prosperity, to preserve what matters across time, and to repel negative energy from the home. It was never decorative. It was intentional. What It Brings A full round form. A surface built from light. In Korean tradition, this combination is an invitation — for abundance, for protection, for something good to arrive and stay. Spatial Energy The jar asks nothing of the room. It simply holds space — the way light does, the way silence does. A presence that settles rather than demands.   About the Artist Designed by Seung Lee — one of OpenLab's featured artists working at the intersection of Korean and Oriental tradition and the modern American home. Seung's work begins with objects that have been carried across centuries — vessels, symbols, forms. He strips them of nostalgia and rebuilds them as something you'd want on your wall today. Not a museum piece. Not a souvenir. A reinterpretation that belongs exactly where it lands.  

OpenLab Graphics — Official Design Drop APRIL DROP · OBJECT : KOREAN ARCHIVE This project explores foundational Korean material and spiritual motifs as contemporary abstraction. Traditional forms are reduced to volume, light, and symbol — reframed for modern interiors through stillness and intention.   달항아리 · 자개 | DAL HANG-ARI · JAGAE Moon Jar · Mother of Pearl [dahl hang-ah-ree · jah-gae] Abundance · Wholeness · Fortune · Protection A vessel that holds nothing — and everything. Rendered in the light of jagae — reinterpreted as a field of eternal presence for the wall. Historical Function The Moon Jar was crafted in Joseon-era Korea as an offering vessel — its imperfect roundness believed to invite warmth, abundance, and good fortune into the home. No two were made alike. 자개 | Jagae — Mother of Pearl For centuries, jagae has adorned the most sacred objects in Korean culture — royal furniture, ceremonial vessels, objects passed between generations. Its iridescent surface was believed to carry three powers: to attract wealth and prosperity, to preserve what matters across time, and to repel negative energy from the home. It was never decorative. It was intentional. What It Brings A full round form. A surface built from light. In Korean tradition, this combination is an invitation — for abundance, for protection, for something good to arrive and stay. Spatial Energy The jar asks nothing of the room. It simply holds space — the way light does, the way silence does. A presence that settles rather than demands.   About the Artist Designed by Seung Lee — one of OpenLab's featured artists working at the intersection of Korean and Oriental tradition and the modern American home. Seung's work begins with objects that have been carried across centuries — vessels, symbols, forms. He strips them of nostalgia and rebuilds them as something you'd want on your wall today. Not a museum piece. Not a souvenir. A reinterpretation that belongs exactly where it lands.  

OpenLab Graphics — Official Design Drop APRIL DROP · OBJECT : KOREAN ARCHIVE This project explores foundational Korean material and spiritual motifs as contemporary abstraction. Traditional forms are reduced to volume, light, and symbol — reframed for modern interiors through stillness and intention.   달항아리 · 자개 | DAL HANG-ARI · JAGAE Moon Jar · Mother of Pearl [dahl hang-ah-ree · jah-gae] Abundance · Wholeness · Fortune · Protection A vessel that holds nothing — and everything. Rendered in the light of jagae — reinterpreted as a field of eternal presence for the wall. Historical Function The Moon Jar was crafted in Joseon-era Korea as an offering vessel — its imperfect roundness believed to invite warmth, abundance, and good fortune into the home. No two were made alike. 자개 | Jagae — Mother of Pearl For centuries, jagae has adorned the most sacred objects in Korean culture — royal furniture, ceremonial vessels, objects passed between generations. Its iridescent surface was believed to carry three powers: to attract wealth and prosperity, to preserve what matters across time, and to repel negative energy from the home. It was never decorative. It was intentional. What It Brings A full round form. A surface built from light. In Korean tradition, this combination is an invitation — for abundance, for protection, for something good to arrive and stay. Spatial Energy The jar asks nothing of the room. It simply holds space — the way light does, the way silence does. A presence that settles rather than demands.   About the Artist Designed by Seung Lee — one of OpenLab's featured artists working at the intersection of Korean and Oriental tradition and the modern American home. Seung's work begins with objects that have been carried across centuries — vessels, symbols, forms. He strips them of nostalgia and rebuilds them as something you'd want on your wall today. Not a museum piece. Not a souvenir. A reinterpretation that belongs exactly where it lands.  

 A minimalist celebration of Bauhaus form. This black-and-white print recreates the 1923 Bauhaus Ausstellung (Exhibition) announcement in Weimar, featuring rhythmic modular shapes — half circles, arcs, and rectangles — echoing the design school’s emphasis on structure and abstraction. A timeless design statement, perfect for lovers of modernist aesthetics.

   A vivid tribute to one of the most influential design movements of the 20th century. This archival-style reproduction captures the essence of Bauhaus modernism with bold concentric waves in red, yellow, and blue — a visual echo of the school’s iconic experimentation with form, color, and geometry. Originally exhibited in Weimar from July to September 1923, this piece remains timeless in its visual energy.

 A breathtaking snapshot of vintage athleticism and balance, this monochrome photo captures four acrobats forming a perfectly synchronized sculpture of strength and grace on the beach. Shot against a minimalist seascape, their unity and precision become the true focal point — a timeless tribute to human potential and mid-century spirit.

 Captured mid-glide, this stunning black-and-white photo celebrates the elegance and thrill of 1950s summer life. A poised woman in a classic retro swimsuit balances effortlessly on water skis, her expression as smooth as the waves behind her. Radiating glamour, grace, and fearless joy, this print channels an era when leisure was pure style.

 A striking black-and-white glimpse into retro beach culture—this vintage photograph features a bold, pistol-wielding beach beauty in heels and a wide-brimmed hat, standing confidently beside a surfboard. Equal parts pin-up and outlaw, she defies the norms of her era with sass, style, and a splash of rebellion. A timeless tribute to mid-century cool and sun-soaked independence.

 Beauty Pageant, 1950s captures a sun-soaked moment of retro glamour—beachside smiles, classic swimsuits, and the effortless charm of mid-century femininity. This vintage photograph celebrates an era where style met simplicity, evoking nostalgia for seaside summers, pin-up poise, and the timeless confidence of beach girls in their prime.

 Lake Dive In is a monochrome moment suspended in time—capturing the exact second before water meets skin. With grainy textures and soft contrast, this vintage photograph channels a sense of freedom, youth, and timeless escape. A quiet tribute to summer days, solitude, and the beauty of a single leap.

 What If Everything Goes Well turns doubt on its head with bold optimism. Set against a vintage-style newspaper backdrop, the hand-painted message disrupts the noise with a single radical thought: hope. Raw, graphic, and uplifting, this piece is a reminder that sometimes, things can actually go right. A statement print for walls that need both edge and encouragement.

 Mark Rothko – A Retrospective (Green & Brown) highlights the artist’s mastery of emotional color fields through a bold contrast of burnt orange and deep black. This piece reflects Rothko’s exploration of presence, silence, and intensity—inviting viewers to feel rather than interpret. Originally part of the 1978–1979 Guggenheim retrospective, it stands as a timeless expression of abstraction and human depth.

 Ultra 2023 merges graphic minimalism with thermal-inspired gradients—where intense orange heat meets icy blues, creating an organic, high-contrast flow. This piece pulses with energy, evoking motion, pressure, and transformation. With clean typography and structured framing, it bridges the worlds of digital design and poster culture—bold, modern, and unmistakably now.

 Mark Rothko – A Retrospective (Pink & Orange) highlights the artist’s mastery of emotional color fields through a bold contrast of burnt orange and deep black. This piece reflects Rothko’s exploration of presence, silence, and intensity—inviting viewers to feel rather than interpret. Originally part of the 1978–1979 Guggenheim retrospective, it stands as a timeless expression of abstraction and human depth.

 Mark Rothko – A Retrospective (Black & Brown) highlights the artist’s mastery of emotional color fields through a bold contrast of burnt orange and deep black. This piece reflects Rothko’s exploration of presence, silence, and intensity—inviting viewers to feel rather than interpret. Originally part of the 1978–1979 Guggenheim retrospective, it stands as a timeless expression of abstraction and human depth.

   Mark Rothko – A Retrospective (Orange & Black) highlights the artist’s mastery of emotional color fields through a bold contrast of burnt orange and deep black. This piece reflects Rothko’s exploration of presence, silence, and intensity—inviting viewers to feel rather than interpret. Originally part of the 1978–1979 Guggenheim retrospective, it stands as a timeless expression of abstraction and human depth.

   This exhibition poster from the Solomon R. Guggenheim Museum honors the profound simplicity of Mark Rothko’s work. Featuring one of his iconic soft-edged color fields in muted greys and blacks, the piece radiates quiet intensity and emotional depth. Rothko’s minimalist palette and vast, meditative forms invite introspection—transforming stillness into something deeply felt. A timeless tribute to a master of modern abstraction.  

  This exhibition poster from the Solomon R. Guggenheim Museum honors the profound simplicity of Mark Rothko’s work. Featuring one of his iconic soft-edged color fields in muted greys and blacks, the piece radiates quiet intensity and emotional depth. Rothko’s minimalist palette and vast, meditative forms invite introspection—transforming stillness into something deeply felt. A timeless tribute to a master of modern abstraction.

   Digital Chaos is a raw collage of fragmented thoughts, glitch overlays, and scribbled confessions—where anxiety, alienation, and overload spill across the screen. Bits of type, distortion, and hand-drawn symbols clash like static in a restless mind. From Mindstate to You Ultimate Time in My Life, the text flickers with emotion and contradiction. It’s messy, loud, and painfully real—an abstract reflection of the internet age and the psyche it fractures.

 Lonely Travelers captures the quiet poetry of distance and reflection. Set against a dreamy gradient of violet and pink, two silhouetted figures mirror each other—one upright, one inverted—floating through a hazy, infinite space. The repeated text adds rhythm to the solitude, like footsteps in an empty dream. A visual meditation on isolation, connection, and the strange beauty of being in transit. 

 X Marked Memory is a bold, layered piece that plays with signal, symbol, and disruption. The oversized "X" dominates the canvas with jagged, hand-textured energy—surrounded by electric yellow, halftone dots, and raw handwritten fragments along the borders. It feels like a poster for something lost, found, or never quite real. Energetic, graphic, and charged with subversive nostalgia.